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Kapitel

I. The courtly elite

Henricus Isaac’s Amazonas

Three early motets
Turkish dervish-music and European counterpoint
“Every form of the art”
“Hic maxime Ecclesiasticum ornavit cantum”
“I […] will use all my art for his Majesty’s chapel”
“Isaac, das war der Name sein. Halt wohl, es werd vergessen nit”
“Ysaac de manu sua”

Instrumental Artists at the Court of Maximilian I.

Die Musiker am Hof Maximilians I.
„Musica Rigal vnd possetif“: Tasteninstrumente
Court Music and Representation

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