The school regulation of Bolzano, 1424: Ansingen and recordatum
A source of primary importance for the reconstruction of the Ansingen practice in Tyrol is the Schulordnung (school regulation) of the parish school of Bolzano of 1424.[20] Reputedly the oldest school regulation of the region, it is contained in the Urbar (catalogue of rental income, rights and duties) or liber jurium of the Bolzano parish church (» Fig. Haslers Urbar), compiled in 1453-1460 by the church warden Christoph Hasler jun., which is held at the National and University Library of Strasbourg (» Kap. Das Urbar der Bozner Pfarrkirche).[21] Its contents answered a need to regulate the civil and ecclesiastical life of a mid-size town in rapid development, where the church and the secular authorities fulfilled closely intertwined functions.[22] The school regulation (named Statuten der Schulen on f. 132v, where also the date of 1424 is recorded) is organised in five chapters (f. 128r-136v) which precisely stipulate, among other things, the incomes of the schoolmaster and the Junkmeister. From this we learn that the Junkmeister (succentor) did not receive the same benefices and annual salaries as the schoolmaster, but that part of his livelihood derived directly from the income earned through singing in public (» Kap. Junkmeister, Astanten und das Musikstudium der Knaben). For this reason, too, the regulation devotes much space to the times and manners of Ansingen which in fact represented a primary source of sustenance for the school of Bolzano. Other chapters of the Urbar offer interesting details about the processions in which the schoolboys were singing. There are, for example, chapters (in the manuscript directly preceding the school regulation) which deal with the duties and incomes of the sacristan: these mention among other activities the daily procession after the morning Mass service – which the sacristan had to announce with a particular sound of the bell – and the great procession of Palm Sunday, likewise accompanied by solemn and extended bell-ringing.[23]
As regards Ansingen, the regulation state that according to ancient tradition the choir went out both weekly and annually. The chapter on the income and duties of the Junkmeister (Hye ein vermercht die nüctze vnd välle, die ainem yeden junchkmaister zugehorn, f. 133r), establishes that the Ansingen in the evenings, called “recordatum” or “recordieren”, was to be carried out every week by the poor students of the parish school on Saturday evening, but only for an hour.[24] The term “recordatum” was derived from the noun recordatio – the practice, widespread since the earlier Middle Ages, of welcoming and celebrating citizens or high-ranking personalities with the recitation of poems and song. The collected money went to the Junkmeister, who assigned to the poor students one Fierer for every Kreuzer earned (i.e., 4 pennies of 12, “kreuzer” being treated here as equivalent to “groschen”).
Item so sullend dy arme(n) knab(e)n des abends Recordatu(m) gen dy wochen nur ain stund und nicht mer vnd was sy ersingen, das sol dem Succe(n)tor(i) geuallen, also das der Succe(n)tor von ainem ygleich(e)m kreucz(er) 1 fir(er) den armen knaben davon geb.
In this way, the school regulated and legitimised the weekly non-liturgical singing of its poor students who, with the generous and active support of its community, could safeguard with their singing a regular income, which they needed to maintain themselves in their studies. The same activity provided part of his income to the Junkmeister. The regulations also stipulated that the poor schoolboys and the grossen gesellen (adult helpers, Astanten) could go on the Recordatum eight further times during the year. What they collected for their singing on those evenings was to remain entirely for them:
Item auch mugent dy arme(n) knab(e)n vnd and(er) grosze gesel(en) da auff der schule in dem jar zu acht mal gen Recordatu(m) in selbs und was sy dy acht mal ersing(e)n des abents, das sol in allain beleiben.
The regulation also defines the use of the money earned by the sons of the bourgeois citizens in the Ansingen performances of Christmas time (on which, see below). They had to submit 5 £ to the Junkmeister, but could keep the remaining amounts, dividing it equally among themselves:
Item so sol der Jungmaist(er) von dem ansing(en) gelt hab(e)n V libras p(er)n(er), das dy burg(er) knaben zu weinachtt(e)n ersingen und was vberteur ist, das sullen dy knab(e)n vnd(er) in selb(er) geleich tailen.
The schoolmaster had the right to assign to the Junkmeister further amounts from the money earned in the cited activities:
It(e)m zu behaltt(e)n dem Succe(n)tor, ob im der Schulmaist(er) vb(e)r alle egenan(ten) seine zuvälle ain prerogatif tat, das mag jm auch werden.
Finally, it is ruled (f. 134r) that after Sunday Mass the grosse Gesellen (adult helpers) could have dinner with the Junkmeister and to go to sing, outside the parish house, the Marian antiphon Nigra sum sed formosa.[25] For this service the Junkmeisteri received 13 Fierer. Of these, he had to give six to the helpers for wine, but they could all drink it together:
Item so sullend dy gross(e)n gesell(e)n des Suntags zu(m) ambt abentt essen mit de(m) Jungmaister und für den pfarhoff gen sing(e)n dy antiphona Nigra sum s(ed) formosa vnd dauon hatt der Jungmaister xiii fir(er) und sol dauo(n) den gesell(e)n vi fi(rer) geb(e)n vmb wein vnd dy mit in vertringkhen.
[20] Obermair 2008, 65, no. 967.
[21] F-Sn Ms. allemands 187. The manuscript, formerly presumed lost, has been located by Hannes Obermair, who gave a first description of it in Obermair 2005.
[23] F-Sn Ms. allemands 187 (Obermair 2008), f. 122v.
[24] On the different types of students in Tyrolean schools of the period, see also Post 1993, 34-35.
[25] A polyphonic setting of the antiphon (which belongs to the Song of Songs) is extant in the manuscript fragment from Muri-Gries: » F. Schlaglicht: Das Bozner Fragment.
[1] For a compact history of Tyrolean schools, see Augschöll-Blasbichler, 2019, 96-106 at 96-101, online, https://cab.unime.it/journals/index.php/qdi/article/view/2643 (April 2023). On music in the schools, see Post 1993; Herrmann-Schneider 2023, online ,https://musikgeschichten.musikland-tirol.at/content/musikintirol/musikinkloesternusw/musik-in-pfarrkirchen.html (April 2023).
[2] Cfr. Büchner 2019, 16-49 (Teil I); 94/1, 2020, 46-72 (Teil II); 94/2, 2020, 20-61 (Teil III); 94/3, 2020, 40-61 (Teil IV); 94/4, 2020, 28-71 (Teil V): in Teil I, 27, a few examples from Tyrolean schools are given.
[3] As underlined by Hannes Obermair, referring to the parish church of Gries near Bolzano, the “System Church” represents in the 15th century an “efficient mixture of cult, community, identity and economical sphere“: see Obermair 2012, 137-174 at 137.
[4] Büchner 2019, 27-28.
[5] Preserved at San Candido/Innichen, Collegiate Foundation, manuscript vii a 10s. Transcribed by Gionata Brusa, online, Cantus Network. Libri ordinarii of the Salzburg metropolitan province, https://gams.uni-graz.at/context:cantus .
[6] Modern edition in Hofmeister-Winter 2001. This regulation of the sixteenth century informs about various processions with the participation of children, and about the ancient, widely-known custom of “Kindelwiegen” (child-rocking) which at Bressanone was reserved for the masters and students of the cathedraL school: see » A. Kap. Kindelwiegen.
[7] San Candido/Innichen, Collegiate Foundation, manuscript viii b 3. Although compiled as late as 1614, the volume contains descriptions of partly much older customs, for example the many processions in the streets of the town in choirboys were singing. A compact survey of these processions and chants is offered in Gabrielli 2020, 15-23 at 22, online, https://musicadocta.unibo.it/article/view/11927.
[9] Boynton 2008, 37-48 at 47.
[10] Der „Liber ordinarius Brixinensis“, ed. Gionata Brusa, in: Cantus Network – semantisch erweiterte digitale Edition der Libri ordinarii der Metropole Salzburg, Wien/Graz 2019, online, <gams.uni-graz.at/o:cantus.brixen>, 128.
[11] Liber ordinarius Brixinensis, Festum innocentum [sic].
[12] See Mackenzie 2011.
[13] Noggler 1885, 16-18.
[14] Büchner 2019, 31.
[15] Strohm 1993, 294-296. For a definition, see Rudolf Flotzinger, Ansingen, in: Oesterreichisches Musiklexikon online, founded by Rudolf Flotzinger, ed. Barbara Boisits, online, https://musiklexikon.ac.at/0xc1aa5576_0x0001f702 (2002).
[17] It is interesting to note that the customs of both the Boy Bishop and the “Ansingen” were analogous to the annual springtime feasts of the Roman schola cantorum of the first Christian centuries, particularly the cornomania (a feast of undoubtedly pagan origins, when the sacristans disguised themselves as bishops) and the laudes puerorum at Easter, sung by the students in the streets on Easter Saturday for eggs and other gifts. On the extra-liturgical songs of the schola cantorum see Dyer 2008, 19-36 at 22-23.
[19] Ibidem.
[20] Obermair 2008, 65, no. 967.
[21] F-Sn Ms. allemands 187. The manuscript, formerly presumed lost, has been located by Hannes Obermair, who gave a first description of it in Obermair 2005.
[23] F-Sn Ms. allemands 187 (Obermair 2008), f. 122v.
[24] On the different types of students in Tyrolean schools of the period, see also Post 1993, 34-35.
[25] A polyphonic setting of the antiphon (which belongs to the Song of Songs) is extant in the manuscript fragment from Muri-Gries: » F. Schlaglicht: Das Bozner Fragment.
[27] Strohm 1993, 295; see also » A. Gesänge zu Weihnachten.
[30] The expression “für sich” is interpeted here as implying a “separate” action outside the liturgical context.
Empfohlene Zitierweise:
Giulia Gabrielli: „Children’s Processions in Tyrol“, in: Musikleben des Spätmittelalters in der Region Österreich, <https://musical-life.net/kapitel/childrens-processions-tyrol> (2023)