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Kapitel

I. The courtly elite

Henricus Isaac’s Amazonas

Innsbruck, ich muss dich lassen
Three early motets
Turkish dervish-music and European counterpoint
“Every form of the art”
“Hic maxime Ecclesiasticum ornavit cantum”
“I […] will use all my art for his Majesty’s chapel”
“Isaac, das war der Name sein. Halt wohl, es werd vergessen nit”
“Ysaac de manu sua”

Instrumentalists at the Court of Maximilian I

Court Music and Representation
Instrumental Music at the Court of Maximilian I

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