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Kapitel

B. Old and new songs

Geistliche Lieder des Mönchs von Salzburg

Widersprüchliche Forschungsmeinungen zum „Mönch“
Zur Aufführungspraxis

Non-mensural polyphony in secular repertories: Oswald von Wolkenstein and the Monk of Salzburg

Anmerkung B.4c
Aspects of counterpoint and modality in the Monk’s polyphonic songs
Motet-like songs of the Monk
Non-mensural polyphony by the Monk
Notations for polyphony in the Wolkenstein codices
Open borders between monophony and polyphony
Oswald and the tradition of non-mensural polyphony
Oswald’s repertory of non-mensural polyphony

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