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"Innsbruck, ich muß dich lassen". Eine Rezeptionsgeschichte des Isaakschen Liedsatzes

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"Innsbruck, ich muß dich lassen". Zur nationalsozialistischen Rezeption des "Innsbruckliedes"

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Isaac's Signature

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Isaac's Unfinished Imperial Cycle. A New Hypothesis

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Kaiser Maximilian I. Das Reich, Österreich, und Europa an der Wende zur Neuzeit

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Lorenzo de' Medici, a Lost Isaac Manuscript, and the Venetian Ambassador

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Ludwig Senfl and the Munich Choirbooks. The Emperor's or the Duke's?

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Mass Propers in the Choirbooks of the Benedictine Abbey of SS. Ulrich and Afra in Augsburg (1575-1614). Between Tradition and Reform

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Munich, Milan, and a Marian Motet. On dating Josquin's "Ave Maria ... virgo serena"

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Neue Wege der Quellenkritik und die Biografie Ludwig Senfls. Ein Beitrag zur Musikgeschichte des Reformationszeitalters

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On the transmission and preservation of mass-propers at the Bavarian Court

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The Cultural Life of the Early Polyphonic Mass. Medieval Context to Modern Revival

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The Mass-Proper Cycles of Henricus Isaac. Genesis, Transmission, and Authenticity

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The Medieval Mass Proper, and the Arrival of Polyphonic Proper Settings in Central Europe

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The "missae ad organum" of Heinrich Isaac

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The Most Prudent Virgin and the Wise King. Isaac's Virgo prudentissima. Compositions in the Imperial Ideology of Maximilian I

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The Motets of Heinrich Isaac (c. 1450-1517). Transmission, Structure and Function

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The Singers of San Giovanni in Florence during the 15th Century

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The Winchester Troper. Facsimile Edition and Introduction

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Türkische Derwischmusik bei Heinrich Isaac

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